Through a contemplative lens, Mors invites the audience to reflect on the inevitability of material transformation. The artist’s act of destruction in creating each new composition highlights the fleeting nature of existence and the beauty that can be found in impermanence.
The once-derelict water distillation plant that serves as the original photographic subject of the series serves as a reminder of the potential for renewal and revitalisation in the face of decay and obsolescence. Ultimately, Mors prompts us to consider the cyclical nature of life and the power of transformation to create something new and beautiful out of what was once considered lost or forgotten.
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